Eleanor Glover
hidden in there somewhere
from 28 September to 12 January 2025 at Ruthin Craft Centre
This retrospective exhibition in the splendid lottery funded gallery in Ruthin, North Wales, explores the unique work of Eleanor Glover - from fragile early card maquettes to the finished narrative pieces. Alongside are drawings, lettering panels and earlier work kindly lent by collectors.
Eleanor Glover is an artist/maker based in Centrespace, Bristol. An early apprenticeship with Ron Fuller, the renowned toy maker, taught her how to work with wood producing multiples of toys Ron had designed. Here she came to realise that her vision was to make individual pieces reflecting her own experiences as well as her expertise as a graphical artist. Over the years she has used other materials in addition to wood, particularly unusual recycled findings like fruit nets, old brushes, string and thread; sometimes these appear together with treated cardboard and graphite-drawn features to give each character its own personality.
Eleanor Glover
hidden in there somewhere
from 28 September to 12 January 2025 at Ruthin Craft Centre
As an artist Eleanor Glover is a storyteller and maker. Her experiences become a part of the inner emotional landscape of her work; work that stays in our thoughts because at a deep level it connects with our emotions and memories, with the human condition. Care and tenderness are apparent through the gestures of her figures - hands inviting different responses - forgiveness, generosity - whilst the birds, that are often perched above, are poised for protection and hope. Influences are drawn from observations of life around her, poetry and literature.
Eleanor Glover has worked as a Senior Lecturer in graphic design and textiles at degree level and as a visiting tutor to adult learners. Latterly she has worked therapeutically in a community context with adults and children: in prisons, hospices, psychiatric units, hospitals, surgeries and care homes. She has developed the use of Book Arts, Shadow Theatre and short animated films as vehicles to stimulate narrative and capture personal stories. Her film Dogshaped is shown in the gallery.
WOWI + Susie Freeman
A major retrospective exhibition of Susie Freeman's work opened at Ruthin Craft Centre on January 18 and will run to 29 March 2020. This follows an exhibition of her work with Dr Liz Lee WOWI at the Royal College of General Practitioners in London which ran for 14 months.
Image: WOWI: Susie Freeman
WOWI + Susie Freeman
Susie established herself as a textile artist of great originality early in her career by constructing a knitted network of pockets using a monofilament thread: into each small transparent pocket she dropped a tiny object before safely sealing them with a further row of knitting, and repeating this to construct the cloth. The trapped artefacts started as scraps of brightly coloured fabric and ribbon but Susie soon moved on to treasured shells, buttons, sequins and other precious finds as well as discarded pistachio shells, spices & dried herbs.
At the same time Susie explored different ways of using and showing these works by fashioning cowls, scarves and jackets. Making these wearable garments became a cottage industry - selling at Chelsea Craft Fair and in galleries - and attracting an admiring, loyal following.
Image: WOWI +: Steve 2007 a scarf containing a year of Steve's medication for diabetes, hypertension, coronary heart disease and arthritis.
Photo by Martin Parr
WOWI + Susie Freeman
As her children grew up her strong ethical concerns for society found a voice through her friendship with Dr Liz Lee. Together they started to question our increasing dependence on medicines and Susie began to imagine how their ideas could be visualised through her work. Taking the name 'Pharmacopoeia' their collaboration used innovative artistic imagery to question social concerns around health. The success of the first Pharmacopoeia touring exhibition led to a commission from The British Museum for a major permanent installation 'Cradle to the Grave' in the British Museum, which has captured so many people's interest and imagination. Invitations followed from countries as near as Denmark and as far as Brazil with the scale of the work escaping the confines of the tiny pockets. Huge suits of armour and flowing garments, constructed from metallic pill packets, describe the concerns that the work addresses; concerns which become more vital each day
Image: WOWI +: A Packet A Week.
Photo by Chloe Stewart
NONSENSE 3 December 2016 to 29 January 2017
A quirky look at the things artists make.
"If I had a world of my own, everything would be nonsense. Nothing would be what it is, because everything would be what it isn't. And contrary wise, what is, it wouldn't be. And what it wouldn't be, it would. You see?"
Lewis Carroll, Alice's Adventures in Wonderland &
Through the Looking-Glass
Julie Arkell Susanna Bauer Dawn Dupree Eleanor Glover Julia Griffiths-Jones Julia Jowett Jo Lawrence Katharine Morling Marnie Moyle Cleo Mussi David Reekie Lucian Taylor Christopher Thompson Royds Frances Wadsworth-Jones
Image: Susanna Bauer
The Influence of Bishopsland
Bishopsland Educational Trust at COLLECT at the Saatchi Gallery May 2015
Malcolm Appleby Ane Christensen Rebecca de Quin Charlotte Duckworth Ndidi Ekubia Lucie Gledhill Kathryn Hinton Marion Kane Rod Kelly Nan Nan Liu Claire Malet Alistair McCallum Ryan McClean Theresa Nguyen Adi Toch
These fifteen silversmiths show the variety of work and skill that Bishopsland promotes through its one year residential Postgraduate Programme.
Image: General view of exhibition with silver by various makers
Catalogue available from Bishopsland Educational Trust
Is It Wood?
Ruthin Craft Centre September 2014
A colourful exhibition to challenge traditional ideas about working with wood.
Peter Archer Fred Baier Dail Behennah Roger Bennett Chatwin & Martin Nicola Henshaw Louise Hibbert Eleanor Lakelin Lina Peterson Anthony Roussel Sophie Smallhorn Lucy Strachan Wycliffe Stutchbury Rupert Williamson
Image: Dail Behennah, hanging charcoal and willow
Masters In Gold & Silver
Bishopsland Educational Trust at COLLECT at the Saatchi Gallery May 2014
Malcolm Appleby Lin Cheung Ane Christensen Angela Cork Rebecca de Quin Charlotte Duckworth Ndidi Ekubia Miriam Hanid Kathryn Hinton Marion Kane Rod Kelly Nan Nan Liu Ryan McClean Jacqueline Mina Peter Musson Theresa Nguyen Jane Short Ruth Tomlinson
Outstanding contemporary work in silver and gold from Masters, Fellows, Tutors and past students of Bishopsland's residential Post-Graduate Programme for silversmiths and jewellers.
Image: Jacqueline Mina, gold brooch
Catalogue available from Bishopsland Educational Trust
Silver To Collect
Bishopsland Educational Trust at COLLECT at the Saatchi Gallery 2013
Malcolm Appleby Ane Christensen Angela Cork Sarah Denny Ndidi Ekubia Andreas Fabian Diana Greenwood Kevin Grey Alastair Hamer Rembrandt Jordan Marion Kane Rod Kelly Chris Knight Momoko Kumai Theresa Nguyen Clare Ransom Jane Short Simone ten Hompel Max Warren
Since 1980 the P&O Makower Trust has collaborated with the V&A Museum, the Crafts Council Collection, the National Museum of Wales, Cardiff and the Ashmoleon Museum to commission a piece of contemporary silver for their collections. To celebrate their twentieth anniversary I invited this group of leading silversmiths to show a new piece together with a miniature of their original commission: work that demonstrates the variety of imagination, technique and innovation that has invigorated the field.
Image: General view of silver by various makers
Catalogue available from Bishopsland Educational Trust
Growing Talent
Goldsmiths' Hall, The Goldsmiths' Company 2012
Jewellers and silversmiths nurtured by the Goldsmiths' Company from 2000-2012
In 2012 Goldsmiths' Fair celebrated 30 years of supporting the skills and artistic talents of the country's most creative contemporary jewellers and silversmiths. In 2000 the Graduate Bursary Scheme was introduced to support a few selected young graduates as they started their careers. The exhibition Growing Talent was a chance to show what has happened to these graduates who responded to an invitation to show two pieces of work: "something old", a piece of work from their first Fair, alongside "something new", a piece made especially for this exhibition.
Image: Sarah Stafford 18ct gold & diamond earrings
Catalogue available from The Goldsmiths' Company with a foreword by The Lord Sutherland of Houndswood an essay by Mary La Trobe-Bateman and contributions from each exhibitor.
Smile
Ruthin Craft Centre tour, 2010
This exhibition by thirteen contemporary makers invited a response – perhaps a smile of surprise, perhaps a recognition of charm, sometimes a wry acknowledgment. The response was not necessarily immediate – many of the pieces needed time to be looked at: they invited attention to their detail and an interpretation of their message.
Abbott and Ellwood Julie Arkell Janet Bolton Lucy Casson Michael Flynn Eleanor Glover Jo Lawrence Lindsey Mann Linda Miller Craig Mitchell Deirdre Nelson Robert Race Freddie Robins
Image: Smile letters: Eleanor Glover
‘It’s all because of Stanley´, Julie Arkell
Age of Experience
Ruthin Craft Centre tour, 2009
The Ruthin Craft Centre’s re-opening exhibition showed a great selection of crafts by fifteen long established leading British makers; Fred Baier, Svend Bayer, Gordon Baldwin, Richard La Trobe- Bateman, Caroline Broadhead, Peter Collingwood, David Drew, Elizabeth Fritsch, Walter Keeler, Annette Meech, Mary Restieaux, Michael Rowe, Richard Slee, David Watkins, and Christopher Williams – all now ‘seniors’.
The selection demonstrated the high quality and craftsmanship of established makers. The exhibition was also a testament to the fact that age doesn’t matter when the works reflect skill and imagination.
Image: Peter Collingwood macrogauze hanging
Creation II
The Goldsmiths’ Company, 2009
The Summer exhibition held at Goldsmiths' Hall focused on the creative talents of an elite group of 12 distinguished artist-jewellers. The DVD that accompanies the catalogue (Creation II: An Insight into the Mind of the Modern Artist-Jeweller London, The Goldsmiths' Company, 2009, 34pp., 28 colour illus.) features short films of ten of the exhibiting jewellers made by students from Goldsmiths' College (London), the International Film School (University of Wales) and Edinburgh College of Art under the direction of Paul Watson, Executive Producer and Mentor, Independent documentary film maker, BAFTA Lifetime Achievement Award Winner.
Image: Andrew Lamb, 18ct gold wire bangle
Colour in Weave
Stroud International Textile Festival, 2008
An exhibition emphasising the sheer joy of colour in woven textiles, through three stunning artists: Mary Restieaux, Ptolemy Mann and Preeti Gilani.
All are renowned for their sense of colour and individual interpretations of contemporary weaving.
Image: Ptolemy Mann Ikat woven hangings